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The inexpensive all sun Junior Metal Detector would likely appeal to parents who want to give their child the experience of metal detecting without spending a lot of money.
This is definitely not a toy that most adult hobbyists would relish, but children under the age of eight would likely love it. Your metal detector will beep frequently.
Your metal detector needs regular maintenance. Lubricate the wires, brush dirt off of the joints, and clean it with fresh water after long hunts.
Metal detecting is a somewhat noisy hobby. Some products include headphones, too. Private owners of historical property may be willing to grant access to respectful hobbyists who agree to hand over any objects they find.
Some basic models do not have an LCD screen, but such an interface is a great place for the user to gather information.
Notching is a lot like discrimination in that it allows the user to filter out some unwanted results. However, a bad notching system could lead to missed findings.
Learning the correct way to dig is as important as learning how to detect where to dig. Use the correct tools, learn the technique for fast and efficient digging, and always make sure you cover up your holes once done.
Some cities allow amateur metal detectors to search public properties such as fairgrounds, city parks, and beaches.
It may or may not be possible for you to keep what you discover. In either case, the ground must be returned to its original condition.
Some states require hobbyists to register before searching public properties. The laws on public metal detecting vary from state to state, so be sure to consult your local government agency before searching for treasure on public property.
Penalties for violating these laws and restrictions can range from a stern warning to thousands of dollars in fines. We urge amateur metal detectors to do some research and obtain all pertinent clearances before starting a search on any private or city-owned property.
Antiquities laws trump most property rights when it comes to the removal of metals and other objects of value. With all of these rules and limitations, you may be wondering where you can actually use your metal detector lawfully.
In truth, there are still a number of locations open to hobbyists. The key is to find places where people have actually lived, worked, or played.
Some states allow metal detection on sandy beach areas between the water and the dune line. Others require searchers to obtain special permission before gaining access to state parks and bodies of water.
Places like fairgrounds, parks, sport fields, picnic spots, and schoolyards can be very rewarding for metal hunters, as they are very likely to have bits and bobs left behind by the crowds.
Beaches are a treasure trove and regularly yield jewelry, coins, and the like. If you're going treasure hunting, you need a machine that's comfortable for you to use over the long haul.
Look for these features to find the most ergonomically sound metal detector for you:. How much does the metal detector of your choice weigh?
Anything around four pounds will work best. The Garrett Pro Pointer is waterproof up to 10 feet, so if you plan to take it on vacation, there are no worries if a child takes it off the beach and into the shallow part of the sea.
Most metal detectors require batteries and few are rechargeable. Be sure to check your owner's manual for the specific needs of your detector.
A metal object doesn't necessarily have to be magnetic in order to become charged by the electromagnetic field the detector generates.
Before you go treasure hunting, be sure to understand the correct settings and capabilities of your metal detector. Read through the manual and research online, if needed.
Like golf, metal detectors require a proper swing to work well. Swing your detector slowly from side to side, keeping it as close to the ground as possible — but make sure it does not touch the ground.
Wear comfortable clothes that are appropriate for the weather, knee pads to protect your knees when you have to dig, shoes that help you wade through terrain, and gloves for your hands so you don't get them dirty or cut yourself when scooping up soil.
Educate yourself on the local laws regarding metal detecting before you start. That way, you know which areas are permissible and what kind of digging is allowed.
Remember, even public areas may not allow metal detecting if they have landscaping that could be damaged.
Metal detection takes time and patience. It can take up to six months to figure out all the settings on your metal detector and to find the best stomping grounds.
The answer to this question depends largely on the detector's make and model, but in general, the average detector can find larger pieces of metal 12 to 16 inches below the surface.
Deeper searches would require a more powerful device, such as a ground-penetrating radar. While most metal detectors can detect the presence of gold in a general sweep, many discriminators have difficulty tuning out other metal signatures.
Metal detecting seems very straightforward to me. What do the pros know that I don't? For one thing, experienced hobbyists and professionals use several different types of sweeping and search patterns, not just a simple back-and-forth or up-and-down motion.
Mastering the art of metal detection takes time, patience, and practice. BestReviews wants to be better. Please take our 3-minute survey, and give us feedback about your visit today.
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A VLF metal detector sends out a ground-penetrating electromagnetic charge that causes any form of metal to become temporarily energized. A receiver coil detects this new energy and sends a signal to the unit's microprocessor.
The most obvious result is a tone generated by a loudspeaker. The tone lets the user know that some form of metal has been detected.
Please see our product list, above, for our top recommendations in the metal detector field. Here are some questions to ask yourself when evaluating different products: Some metal detectors are completely waterproof, some up to 10 feet.
How big are the coils? Some metal detectors will have both coils so they can do both jobs. The monsters are ridiculous, the acting is atrocious and the plot barely makes sense, but this film has an odd, innocent charm to it nevertheless.
Nightman85 17 January Classic camp drive-in horror of the 60's is a gem for those who love these kind of flicks. Toxic chemicals dumped into the ocean result in some Sesame Street sea monsters that terrorize a Conneticut community!
As its title implies, Horror of Party Beach is one cheesy piece of horror schlock complete with all those wonderful old drive-in elements!
You've got it all - silly looking monsters, lots of dumb teens, lots of old rock songs, plenty of big-haired bimbos, and enough hokey dialog to crush a small city!
It's a nostalgic riot for those who love old monster flicks. Despite all of its flaws Horror of Party Beach does have some nicely spooky scenes and some surprising goriness!
The cast is pretty much as good as one would expect for a movie like this. The late Eulabelle Moore is a big stand out though as the paranoid house maid.
She thinks the monsters are a result of voodoo and she doesn't mind voicing her opinion! Eulabelle, you are golden. A totally enjoyable B monster romp that's thankfully coming to DVD soon.
Those who love the genre must see it! At the beginning of this film, you'd think you were watching one of those "beach party" musicals as The Del Aires - a so-so group of the day - provide us with some rock music of the time period.
Hey, we even got a folk song later by a couple of girls. It wasn't exactly Joan Baez and company, but they weren't bad.
Alice Lyon as "Elaine Gavin" may be one of the all-time worst actresses I've even seen on film. It is no shock this is her only movie.
Some of the other actors ranged from bad to decent. However, it's the "monsters" - the guys with the "Creature From the Black Lagoon" suits but with better eyeballs and hot dog-like appendages hanging from their cheeks - that mainly make this horrible film a hoot, making not really horrible but good because it was fun to watch.
To its credit, it was fairly fast-moving, too, with enough action to keep one's interest. The "creatures" were an active bunch!
Why on earth would I review a film as worthless and ridiculous as this one? There is only one reason.
It is because it was the only feature film in which my old friend Eulabelle Moore appeared, and I want to put on record on the database a few facts about her, and give her a tribute.
It is now 45 years since Eulabelle died, and I must be one of the last people left alive who knew her. I was a teenager at the time.
Eulabelle and I spent many, many hours talking together, and there was a time long ago when I could have related the entire story of her life.
As I seem to recall, she had come up from the South to New York during the Depression, where she tried to start a new life.
She never married and had no children, and was pretty much a loner, despite having many fond friends and acquaintances, as she was extremely gregarious when in company, but she was naturally a solitary person.
She got into acting late in life, and appeared in her first Broadway play at the age of In those days of segregation, she tended to be type-cast as the black maid, which after all were often the only parts available for black women on the stage.
She soon became a favourite character actress on Broadway and was frequently described as the Hattie McDaniel of New York.
Everyone who has ever seen 'Gone with the Wind' remembers Hattie McDaniel, who went on to appear in film after film with her wonderful sense of humour, colourful language, and no-nonsense approach to keeping her 'white folks' in order and under control whilst pretending to be their servant.
Eulabelle never played things with as broad strokes as Hattie, but was far more subtle and sophisticated. I believe they met a couple of times but were not friends.
I suspect that Hattie was no great brain, but Eulabelle was extraordinarily intelligent and sophisticated in her way. In our endless conversations late into the night, she always spoke with such compelling intelligence and insight that it was a joy to learn the lessons of life from her morality tales.
She carried her skillet old iron frying-pan with her everywhere she went, along with a miniature portable stove and pan to boil her vegetables in.
She was an expert at survival by cooking for herself in boarding house rooms. One of the reasons she and I 'bonded' was that I have always been as attached to my skillet as she was to hers, since the one from which I have had my fried bacon and eggs for breakfast all my life goes back to the 17th century and was used by my Leonard ancestors almost daily since they made it in their own iron works, the first in America, at Taunton, Massachusetts.
It has been in continuous use in the family for over years, and looks it! Isn't it strange, the objects which survive?
Eulabelle loved hearing about my skillet, and having skillets in common really meant something to us. It also meant a lot to her that it was my grandmother who started the American craze for black-eyed peas, which Eulabelle loved.
Eulabelle was an expert at cooking her soul food, but I did teach her one trick, how to cook barley as rice. She and I had many a feast on it, she raved about it, and she couldn't have been more thrilled at this 'new soul food' which I had recommended to her and which 'even we black folks down South had never heard of nor thought of eating like that, but I wish we had'.
The stories she had to tell were endless. She had a bad heart when I knew her, and this may have been the reason why she died at the age of only 61 in I did not know of her death for some time, so missed her funeral.
I may well be the last friend of Eulabelle's who is left. No one should think she talked like she does in this film, where she had to play a typical housemaid in an apron who talks folksy, and where she has to say things like: She was one of the liveliest and most interesting people I ever knew, never a dull moment, a mind as sharp as a whip, and a heart of gold.
But I can imagine the satisfaction which she would have experienced from pocketing the check for appearing in this rubbishy horror film, as she was always poor, and needed to pay the rent.
Now she is freed from paying rent, and freed from the constraints of having skin with a colour which confined and delimited her life and her work.
She may have been 'only a black character actress' to some people, but to me she had more character than any role she ever played. This is one of the most memorable films from my childhood.
As the beach party teens dance and sing doing "The Zombie Stomp" , offshore a chemical spill re-animates a skeleton at the bottom of the sea into gill man yes with hot dog looking protrusions from the mouth and the creatures go on a killing spree!
Some of the scenes are so dark it's hard to determine what is happening! See the monsters attack a girls' slumber party, see nice hair hopping chicks with a flat tire fall victims to the atomic beasts, see mother nature strike back at sinful beach teens!
Some generally fun dialog, similar to Waters movie that you will surely quote! This is one of the few films of the era I remember so well: Al Vitti has been my alter-ego and mascot these past 40 years or so.
Ah, but wasn't that a time!!! Thank you, signed Albert Vitti! A few years ago, I finally got to see this film on late night television and I finally was able to judge how bad it was for myself and it definitely is one of the worst films ever made.
This film came out when the "Beach Party" craze was at its zenith, so someone had the bright idea to make a horror beach flick, and in of all places Connecticut, not Southern California.
However, this film isn't as bad as a film that came out around the same time, The Beach Girls and the Monster. At least the monsters in this one were "real" and not some psycho dressed as a monster as was the case in the latter film.
However, I do have a soft spot for bad movies and its too bad that this one isn't out on video or D.
It is an all time classic turkey. Campy Fun tswa 17 July The monster had a striking resemblance to the Creature from the Black Lagoon, which was a much better picture with great cinematography.
To make a correction: Sodium burns on contact with water. It's a soft metal, not a powder, so it would take a lot to kill them. But why not just use flame throwers or some other flame source?
The music by the Del Aires was really corny. I did a search and found nothing relating to them. Did they ever put out a record? You wonder where they plugged in their amplifiers on the beach.
And how were the canisters of toxic material so easily broken open? I wonder what became of the actors. I don't recognize a single name from the cast.
Mister-6 5 November In a world of movies where there are followers and there are trend-setters No surprise that "The Horror of Party Beach" is the red-headed stepchild of the "Beach Party" flicks Frankie and Annette churned out albeit with the unique twists of hazardous waste and ambulatory hot dog-eating protozoa - but how about adding an ineffectual biker gang been done , some moderately bloody killings well, that's different and a stereotypical black maid bet the NAACP loved that?
Oh, and let's not forget The Del-Aires! Is anyone still doing "The Zombie Stomp"? Didn't think so, and best they shouldn't. At least they ACT like they're interested in the paycheck.
But there is no real acting in this movie. No one acts here; they just say words, move around, pretend they're doing something that will stand the ravages of time Unless, of course, you count its success as the world's worst beach party horror musical.
Thanks to Mike Nelson and his robo-buds, the true highlights of this film shine through as ripe targets for insidious dissection why, in fact, ARE there so many shots of young men writhing around in their whitie tighties on the beach - and so few babes?
Gotta agree with them, though, the Romulan girl IS sexy. Del Tenney wanted to spend a few bucks and make a flick for the beach crowd and the horror crowd.
Oh, and yay for sodium! John-Poltrack 13 June We were there because we knew that our Uncle Ed and Henry were not only extras but had actual speaking parts.
In the interview with Del Tenney he mentions how he let the actors "act" with minimal direction. My uncles were not professional actors but electrical engineers that took the work between jobs.
It's sad that they didn't get in the credits. Ed was a creditable detective he had a detective type hat and a skinny tie.
He investigated the first murder and told the inspector that the killer must have come from the sea or Long Island Sound.
When the inspector scoffed at that report, Uncle Henry as a scientific type jumped to his defense and speculated that it might have been "A wild shark or something".
We often wondered that if a young Steven Spielburg had been inspired to bring Jaws to the screen after seeing this scene. This is fine movie, but you need a "Strong Heart and Nerves of Steel" to watch it.
Featuring the all time dopiest sea creatures ever, riot inducing racial stereotyping, the most non threatening motorcycle gang in history, dialogue that wouldn't cut it in porn, overweight beach bunnies, queenie muscle dudes and some of the most wooden acting this side of Charleton Heston.
Even more inept and definatley more entertaining than "Plan 9". The best way to view this one is when its rerun on "Mystery Science Theatre ".
I loved this movie when I was a kid and remember being especially scared by the music, I mean the music that accompanied the transformation in the water the skeleton to the monster and when the monsters were sneaking up on their victims.
The other music, by the band on the beach, it was likable enough to a fan of brit pop and the beach boys, which I was. I saw a pretty gory version of it compared to what ended up on Mystery Science Theater years later, I'm happy to see from some fans of this movie, that I didn't imagine all those scenes that were obviously cut.
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